if you want to understand the psyche of our generation take a good look at the stories we tell ourselves about the future
because it isn’t flying cars or robot dogs, it’s faceless government surveillance and worldwide pandemics and militarized police brutality and the last dregs of humanity struggling to survive
our generation isn’t self-centered, or lazy, or whatever else they wanna say about us. we are young, and we are here, and we are deeply, deeply afraid.
"The thing I love about that song is parts of it reads like a diary, and parts of it read like something 100,000 people should be screaming all together. It’s got these very big lines that everybody can relate to, which are given weight by her being really honest about personal things."
"Girls are trained to say, ‘I wrote this, but it’s probably really stupid.’ Well, no, you wouldn’t write a novel if you thought it was really stupid. Men are much more comfortable going, ‘I wrote this book because I have a unique perspective that the world needs to hear.’ Girls are taught from the age of seven that if you get a compliment, you don’t go, ‘Thank you’, you go, ‘No, you’re insane.’"
The other big change on 1989 is that for the first time in years, there are no diss tracks dishing about Swift’s exes. A few of the songs are about her relationships and love life, but they’re mostly wistful and nostalgic, not finger-pointy or score-settling. “Different phases of your life have different levels of deep, traumatizing heartbreak,” Swift says. “And in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boycentric.
(Source: youareeinlove, via taylorsswift)